Stardust

Tuesday, May 29, 2012


A one sitting read, in the space of a few hours, manages to capture your imagination and take it on a magical journey into a mystical land fraught with peril and full of grand adventure.
Few novels paint a setting that makes me envy the characters that dwell within it and convince me to give up the electronics driven paradise I currently live in for an imaginary land, but somehow Neil Gaiman manages to do just that in Stardust.
The story goes that across the wall from a small British Victorian village is an enchanted land. Many who pass through the wall are never heard from again. The villagers guard against others passing through the portal, the only exception is that once every nine years there is a fair that takes place where residents from both sides meet to trade. It is here that Dunstan Thorn meets a beautiful girl from beyond the wall.
Their union produces a boy and he arrives at Dunstan’s doorstep in a basket with a note proclaiming his name to be Tristan Thorn.
Almost eighteen years later, Tristan, in his efforts to win the heart of Victoria Forester, makes a vow to bring her a shooting star and he sets off to travel past the wall in the search of the prize for his love.
On his adventure, Tristan is introduced to a host of interesting characters, most benevolent and some quite the opposite. Much of the book is a moral tale, where one is rewarded for selflessly helping others and it is through this friendly assistance that he finds his star. As it turns out, the star is not a cold lifeless rock, but is instead a magical girl named Yvaine.
Although the novel is predictable, it nonetheless is relentlessly entertaining. I was surprised by the spectrum of emotions I felt during Tristan’s journey. The prose is eloquent and never ceases to amaze me how well it seizes your imagination and convinces me of the existence of this fictional world. The best way to describe this book would be a Hayao Miyazaki flick without all that crap about the evils of man corrupting nature.
By the end of the novel I had a grin from ear to ear, but a little later that is replaced by a feeling of loss as it dawned on me that the book was over.
This book would be very appropriate and relevant to young children were it not for an errantly misplaced scene with a fairly graphic depiction of sex.
The movie adaptation of Stardust (Widescreen Edition) is quite good also.
Words of warning: Do not buy the graphic novel of this book without first having read the version without the pictures. The paintings in the graphic novel, while pretty were unnecessary and actually took away from the wonderfully depicted characters and settings of Gaiman’s writing.

Rose Madder


Since the mid-1970’s, Stephen King has been producing best-selling horror novels. Many of them also have been turned into popular motion pictures or television miniseries. Some of his most gripping works include CARRIE (1974), CUJO (1981), PET SEMATARY (1983), MISERY (1987), THE DARK HALF (1989), DOLORES CLAIBORNE (1993), and INSOMNIA (1994). In addition to being a master storyteller, King has a special knack for tapping into the most elemental of human fears and anxieties. His novels tend to be long and not very tightly focused creations, and they are filled with gruesome violence. For all the loose ends and graphic details of his novels, King still remains immensely popular.

In ROSE MADDER, King has created one of the most horrific characters in police detective Norman Daniels. To the outside world, Daniels is worthy of respect. Fourteen years ago, he had married his high-school sweetheart, Rose McClendon. Unfortunately friends and acquaintances know little of how Daniels has made life a living hell for his wife. As happens all too often in real life, the domestic violence of the Daniels’ household has remained a secret. Rose (Rosie) Daniels finally comes to the realization that she must run away from her abusive husband if she has any hope of saving her life. Rosie takes her husband’s ATM card and travels hundreds of miles away. She settles in a Midwestern city, where she finds lodging and support at a Daughters and Sisters shelter. While Rosie learns to assert her newfound independence, her husband commences his search for her.

The tension in ROSE MADDER builds as the reader comes to realize that Rosie will one day have to defend herself against her vicious husband. While shopping, Rosie becomes drawn to an oil painting. She purchases the painting and soon understands that she can step into the painting and become a new person, Rose Madder. It becomes apparent that Norman Daniels will stop at nothing to possess his wife again. He wreaks havoc everywhere he goes until the final confrontation with his wife takes place. Little does he know that she is no longer the meek person she used to be. As usual, King is a master at setting the stage for the terror that follows. ROSE MADDER may not rank as one of King’s finest creations, but it still contains the relentless onslaught of first-rate terror which has become his hallmark.

 
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